This document tells a story of an ancient King Gilgamesh… Inhaltlich lassen sich zwei Ebenen unterscheiden: einmal die Handlung und zum anderen philosophische Betrachtungen zu Leben und Tod. Die Frauenstimmen des Chores ahmen den Wind nach, um den Gott zu beschwören, er möge Enkidu aus der Erde aufsteigen lassen. The Epic of Gilgamesh Tablet I He who has seen everything I will make known (?) She tames him in company of the shepherds by offering him bread and beer. [4] Sowohl die Solisten als auch der Chor nehmen im Laufe des Stücks wechselnde Rollen ein und alle Mitwirkenden sind gleichberechtigt am Erzählvorgang beteiligt, hebt Matschewski hervor. [1] Das Werk ist Maja Sacher gewidmet, die zusammen mit dem Dirigenten und Mäzen Paul Sacher ein solches Format schon vor Beginn des Zweiten Weltkriegs angeregt hatte. Matschewski gibt dazu folgendes Zitat von Martinů von Januar 1955 wieder: „I La bataille de Gilgamesch, II La mort de Enkidu, III Le Déluge et l’invocation“ (S. 41). Gilgamesh, two-thirds god and one-third man, is oppressing his people, who cry out to the gods for help. ― Anonymous, The Epic of Gilgamesh 3 likes Like “Death is a mystery and must always remain such.” ― Anonymous, The Epic of Gilgamesh 3 likes Like « previous 1 2 3 next » All Quotes Quotes By … The Epic of Gilgamish, tr. [3], Jürgen Kühnel hat einen Textvergleich unternommen, um zu zeigen, wie der Komponist eine Passage auf Bass (Erzähler) und Chor verteilt, die in der englischen Hexameter-Fassung von R. Campbell Thompson (1928) in eins erzählt wird. [16], In 1998, American Assyriologist Theodore Kwasman discovered a piece believed to have contained the first lines of the epic in the storeroom of the British Museum, the fragment, found in 1878 and dated to between 600 BC and 100 BC, had remained unexamined by experts for more than a century since its recovery. Bo Marschner schließt daraus, dass es demnach die Absicht des Komponisten ist, ein Handlungsmoment nur vage anzudeuten und es durch lyrische Elemente zu überspielen. It is possible, however, as has been pointed out, that the Chaldean inscription, if genuine, may be regarded as a confirmation of the statement that there are various traditions of the deluge apart from the Biblical one, which is perhaps legendary like the rest, Content of the Standard Babylonian version tablets, In 2008, manuscripts from the median Babylonian version found in, Abusch, T. Gilgamesh's Request and Siduri's Denial. In complete darkness he follows the road for 12 "double hours", managing to complete the trip before the Sun catches up with him. Mit seinem religiösen Gefühl stand der Komponist kirchlichem Formalismus fern, und seine Sympathie galt franziskanischer Einfachheit. [12], Some 15,000 fragments of Assyrian cuneiform tablets were discovered in the Library of Ashurbanipal in Nineveh by Austen Henry Layard, his assistant Hormuzd Rassam, and W. K. Loftus in the early 1850s. Die Stimme des Sprechers ist in der Besetzungsliste nicht aufgeführt und die Bezeichnungen des Komponisten sind bezüglich dieser Stimme uneinheitlich, auch zwischen Partitur und Klavierauszug bestehen Unklarheiten. When Enlil arrives, angry that there are survivors, she condemns him for instigating the flood. Despite similarities between his dream figures and earlier descriptions of Humbaba, Enkidu interprets these dreams as good omens, and denies that the frightening images represent the forest guardian. "[44] Ziusudra, Utnapishtim and Noah are the respective heroes of the Sumerian, Akkadian and biblical flood legends of the ancient Near East. Analysis of the Epic of Gilgamesh The epic of Gilgamesh is the earliest primary document discovered in human history dating back to approximately 2,000 B.C.E. For the young women of Uruk this oppression takes the form of a droit du seigneur, or "lord's right", to sleep with brides on their wedding night. The first half of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk. [33] These probably circulated independently, rather than being in the form of a unified epic. Their friendship brings animal, human, and god together. "Myfriend,donotlistentoHumbaba,! This summary is based on Andrew George's translation.[9]. [27] Alternatively, it has been suggested that "its purpose, though crudely handled, is to explain to Gilgamesh (and the reader) the various fates of the dead in the Afterlife" and in "an awkward attempt to bring closure",[28] it both connects the Gilgamesh of the epic with the Gilgamesh who is the King of the Netherworld,[29] and is "a dramatic capstone whereby the twelve-tablet epic ends on one and the same theme, that of "seeing" (= understanding, discovery, etc. Gilgamesh complains to Enkidu that various of his possessions (the tablet is unclear exactly what – different translations include a drum and a ball) have fallen into the underworld. The first surviving version of this combined epic, known as the "Old Babylonian" version dates to the 18th century BCE and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). After reading the Epic of Gilgamesh translated by Herbert Mason and Tzvi Abusch’s “The Development and Meaning of the Epic of Gilgamesh: An Interpretive Essay write a 3-5-page … In einsamer Öde die tönerne Erde formte sie nun. https://www.gradesaver.com/the-epic-of-gilgamesh/study-guide/summary / Thus on the desert Enkidu made she, a warrior. woodfineenoughforyourpalace!" Chor: Nicht kennt er Menschen noch Land. [52], ...this discovery is evidently destined to excite a lively controversy. When Anu rejects her complaints, Ishtar threatens to raise the dead who will "outnumber the living" and "devour them". Teil finden sich Verse aus der 10. und 11. He arrives at the Garden of the gods, a paradise full of jewel-laden trees. Gilgamesh is changed by his … EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C. After instructing Urshanabi, the ferryman, to wash Gilgamesh and clothe him in royal robes, they depart for Uruk. In a second dream, however, he sees himself being taken captive to the Netherworld by a terrifying Angel of Death. For when the gods created man, they let death be his share, and life withheld in their own hands". EnkiduaddressedGilgamesh,saying:! In der Forschung wurde das Werk zunächst als Kantate eingestuft, aber später scheint sich die Einschätzung durchgesetzt zu haben, dass es der Gattung des Oratoriums zuzuordnen ist. Epic of Gilgamesh: Old Babylonian Version. It is divided into loosely connected episodes covering the most important events in the life of the hero, although there is no account of Gilgamesh ’s miraculous birth or childhood legends. [3] Kühnel sieht in der Rollenvielfalt des Chores die Nähe zur griechischen Tragödie. I!will!teach!(?)!about!himwho!experienced!all!things,!...alike,! For the young men (the tablet is damaged at this point) it is conjectured that Gilgamesh exhausts them through games, tests of strength, or perhaps forced labour on building projects. Gilgamesh proposes a journey to the Cedar Forest to slay the monstrous demi-god Humbaba in order to gain fame and renown. Gilgamesh rejects the advances of the goddess Ishtar because of her mistreatment of previous lovers like Dumuzi. Šafránek zitiert die Aussage des Komponisten in Anführungstrichen mit: „folklore, some old folk concept“, S. 305. The husband tries to dissuade Gilgamesh from passing, but the wife intervenes, expresses sympathy for Gilgamesh, and (according to the poem's editor Benjamin Foster) allows his passage. [25] When Gilgamesh stops to bathe, it is stolen by a serpent, who sheds its skin as it departs. Anfangs als gefürchteter Herrscher dargestellt, wird aus Gilgamesch ein furchtsamer Sterblicher. After Enkidu becomes civilized through sexual initiation with a prostitute, he travels to Uruk, where he challenges Gilgamesh to a test of strength. Matthias Henze suggests that Nebuchadnezzar's madness in the biblical Book of Daniel draws on the Epic of Gilgamesh. [8] Auch in seinem Gilgamesch-Epos widmet sich Martinů der künstlerischen Gestaltung existenzieller Themen. Utnapishtim offers a sacrifice to the gods, who smell the sweet savor and gather around. This tablet is mainly an Akkadian translation of an earlier Sumerian poem, "Gilgamesh and the Netherworld" (also known as "Gilgamesh, Enkidu, and the Netherworld" and variants), although it has been suggested that it is derived from an unknown version of that story. Fragments of epics have been found concerning several kings including Sargon of Agade (ruled … When they reach the island where Utnapishtim lives, Gilgamesh recounts his story, asking him for his help. [citation needed]. The Standard Babylonian version was discovered by Hormuzd Rassam in the library of Ashurbanipal in Nineveh in 1853. It is the last animation of this 4 year long Gilgamesh project. It opens up huge pits that swallow 300 men. Gilgamesh delivers a lament for Enkidu, in which he calls upon mountains, forests, fields, rivers, wild animals, and all of Uruk to mourn for his friend. Utnapishtim reprimands him, declaring that fighting the common fate of humans is futile and diminishes life's joys. : Ines Matschewski: „Fragen der Freundschaft, der Liebe und des Todes: Bo Marschner: „Das "Gilgamesh-Epos" von Bohuslav Martinů und die Oper "Gilgamesh" von Per Norgård“, in: Aleš Březina: „Von ›Experimenten‹, ›Synthesen‹ und ›definitiven Werken‹“, in: Aleš Březina und, Jürgen Kühnel: „Bohuslav Martinůs Oratorium. Epic of Gilgamesh Gilgamesh was an historical king of Uruk in Babylonia, on the River Euphrates in modern Iraq; he lived about 2700 B.C. The Epic of Gilgamesh ist ein dreiteiliges Oratorium für Solisten, gemischten Chor und Orchester des tschechischen Komponisten Bohuslav Martinů (1890–1959), zu dessen Spätwerk es zählt (1954/55, H 351).[1]. The mountains quake with the tumult and the sky turns black. [11] Marschner sieht in der mehrmaligen Verwendung von gesprochenen Sätzen fast ein Symbol für etwas Fehlendes: Auf programmatische Weise bleibe Zusammenhang unbegründet. The text on the Old Babylonian Meissner fragment (the larger surviving fragment of the Sippar tablet) has been used to reconstruct possible earlier forms of the Epic of Gilgamesh, and it has been suggested that a "prior form of the story – earlier even than that preserved on the Old Babylonian fragment – may well have ended with Siduri sending Gilgamesh back to Uruk..." and "Utnapistim was not originally part of the tale."[32]. [4], Martinů vertrat einen fortschrittlichen Humanismus, der auf dem Christentum fußte. The Epic of Gilgamesh Summary As King of Uruk, Gilgamesh attracts the attention of the goddess Ishtar. The Epic of Gilgamesh was the greatest literary work from ancient Mesopotamia, going back to literary traditions at the end of the third millennium … [14] Late in the following decade, the British Museum hired George Smith to study these; in 1872, Smith read translated fragments before the Society of Biblical Archaeology,[15] and in 1875 and 1876 he published fuller translations,[16] the latter of which was published as The Chaldaean Account of Genesis. Ishtar asks her father Anu to send the Bull of Heaven to avenge her. [3], Die ersten beiden Teile haben Schlusschöre, auf die hin die Spannung ansteigt. Siduri attempts to dissuade Gilgamesh in his quest for immortality, urging him to be content with the simple pleasures of life. Gilgamesh crosses a mountain pass at night and encounters a pride of lions. [39][40] In both, a man is created from the soil by a god, and lives in a natural setting amongst the animals. The Epic of Gilgamesh: Transformation of Gilgamesh Rewrite Gilgamesh is a dynamic hero who transforms throughout the epic in four phases. Gilgamesh is probably the most ancient hero we know of. He is a tyrannical king who works his people to death and takes what he wants from them. They prepare, and call for the elders. Epic of Gilgamesh Gilgamesh was an historical king of Uruk in Babylonia, on the River Euphrates in modern Iraq; he lived about 2700 B.C. In 2004, Stephen Mitchell supplied a controversial version that takes many liberties with the text and includes modernized allusions and commentary relating to the Iraq War of 2003.[37][38]. Bibliothek des neuassyrischen Königs Aššurbanipal, Vorlage:Webachiv/IABot/dibi2.rz.uni-frankfurt.de, Institut Bohuslava Martinů. Without any divine assistance, Enkidu and Gilgamesh attack and slay it, and offer up its heart to Shamash. Shamash tells him that Gilgamesh will bestow great honors upon him at his funeral, and will wander into the wild consumed with grief. Martinůs Text präsentiere sich als „Patchworkarbeit“, fasst Matschewski 2012 das Ergebnis ihrer Analyse zusammen. o. p. s., Prag hat die Kritische Gesamtausgabe der Werke Martinůs ab Frühjahr 2015 angekündigt. Bei Forschungen im Britischen Museum wurde 1872 die Entstehungszeit auf das 12. This version of the epic, called in some fragments Surpassing all other kings, is composed of tablets and fragments from diverse origins and states of conservation. The Epic of Gilgamesh has been of interest to Christians ever since its discovery in the mid-nineteenth century in the ruins of the great library at Nineveh, with its account of a universal flood with significant parallels to the Flood of Noah's day. The story introduces Gilgamesh, king of Uruk. Gilgamesh, by binding stones to his feet so he can walk on the bottom, manages to obtain the plant. Together, they make a six-day journey to the legendary Cedar Forest, where they plan to slay the Guardian, Humbaba the Terrible, and cut down the sacred Cedar. to the seventh century … Martinů schuf die Komposition zwischen Ende 1954 und Februar 1955 in Nizza. His entire family went aboard together with his craftsmen and "all the animals of the field". He accuses Enkidu of betrayal, and vows to disembowel Gilgamesh and feed his flesh to the birds. Gilgamesh is the Priest-King of the city of Uruk. Its Sumerian hero was famous throughout the Near East from about 2000 B.C.E. The epic of Gilgamesh was one of the earliest epics recorded in the world of literature … TranslatedbyMaureenGalleryKovacs! [41], A rare proverb about the strength of a triple-stranded rope, "a triple-stranded rope is not easily broken", is common to both books. ), with which it began."[30]. This account largely matches the flood story that concludes the Epic of Atra-Hasis.[24]. Es gibt einige Textpassagen, die vollständig übernommen worden sind, in anderen hat Martinů Matschewskis Ergebnissen zufolge „einzelne Wortgruppen aus völlig verschiedenen Handlungszusammenhängen“ neu gruppiert. Es ist von kurzgliedrigen Elementen und Motiven geprägt. The original version was written by Sumerians in the Sumerian language and the context constructed from numerous … Der Band zu The Epic of Gilgamesh wird unter den beiden ersten Bänden sein, die publiziert werden. Šafránek weiter: Martinů habe sich zu Vergleichszwecken Passagen aus dem tschechischen Text senden lassen, vor allem die Tafeln I, XI (die Sintflut) und XII. He returns to Uruk, where the sight of its massive walls prompts him to praise this enduring work to Urshanabi. A book review by Cambridge scholar Eleanor Robson claims that George's is the most significant critical work on Gilgamesh in the last 70 years. The trapper tells the sun-god Shamash about the man, and it is arranged for Enkidu to be seduced by Shamhat, a temple prostitute, his first step towards being tamed. There is, however, no historical evidence for the exploits narrated in poems … "Standard Babylonian" refers to a literary style that was used for literary purposes. As he is presented in the epic, Enlil is a proud and impulsive god. Tablet 1: Gilgamesh… Chor und Solisten nehmen im Laufe des Stücks wechselnde Rollen ein und alle Mitwirkenden sind gleichberechtigt am Erzählvorgang beteiligt. He kills the young men at will and uses the women as he pleases. Tablet nine opens with Gilgamesh roaming the wild wearing animal skins, grieving for Enkidu. Because of this, its lack of integration with the other tablets, and the fact that it is almost a copy of an earlier version, it has been referred to as an 'inorganic appendage' to the epic. [9] Gilgamesh was given knowledge of how to worship the gods, why death was ordained for human beings, what makes a good king, and how to live a good life. Utnapishtim tells Gilgamesh that at the bottom of the sea there lives a boxthorn-like plant that will make him young again. Zitat in Ines Matschewskis Übersetzung aus: Bohuslav Martinů: „Gilgamesch“, in: ders. It is the manmade walls of Uruk which draw Gilgamesh out of his despair. “There is the house whose people sit in darkness; dust is their food and clay is their meat. Die Uraufführung verzögerte sich, weil zunächst kein Verlag gefunden werden konnte. The$Epic$of$Gilgamesh$! In the journey to the cedar forest and Huwawa, Enkidu interprets one of Gilgamesh's dreams. Read a Plot Overview of the entire book or a chapter by chapter Summary and Analysis. Dabei gelingt ihm durch Variierung der Stimmbehandlung eine große Bandbreite an Aussagearten. The most recent Akkadian version, dated to 1,200 BC, is also known as the standard version … His mother explains that they mean that a new companion will soon arrive at Uruk. He built magnificent ziggurats, or temple towers, surrounded his city … (...) Im Epos über Gilgamesch meldet sich intensiv und mit fast schmerzlicher Ängstlichkeit der Wunsch, auf diese Fragen Antwort zu finden, deren Lösung wir vergebens suchen ...“[2] In seinem Gilgamesch-Epos wird das Ineinanderübergleiten von Traum und Wirklichkeit thematisiert. When Gilgamesh attempts to visit the wedding chamber, Enkidu blocks his way, and they fight. [36] George discusses the state of the surviving material, and provides a tablet-by-tablet exegesis, with a dual language side-by-side translation. This is the primitive man, Enkidu, who is covered in hair and lives in the wild with the animals. Shamash makes a crack in the earth, and Enkidu's ghost jumps out of it. As far as I am aware, this version of the Epic of Gilgamesh, translated by William Muss-Arnolt in 1901 from the Neo-Assyrian tablets found in the Library of Ashurbanipal is the only (fairly) accurate public domain translation of the epic. [23] He passes under the mountains along the Road of the Sun. The heroes enter the cedar forest. Ishtar vows that just as she will never forget the brilliant necklace that hangs around her neck, she will always remember this time. [46] 2 talking about this. Gefunden wurde diese Version 1849 bei britischen Ausgrabungen im heutigen Koujyundjik, dem damaligen Ninive, als Teil der Bibliothek des neuassyrischen Königs Aššurbanipal (669 v. Chr.–627 v. Gilgamesh prays to the gods to give him back his friend. Image source . As they are leaving, Utnapishtim's wife asks her husband to offer a parting gift. The Epic of Gilgamesh, like many other artifacts is contained in several different copies that have been found. Diese Seite wurde zuletzt am 18. The literary history of Gilgamesh begins with five Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of … He eventually learns that "Life, which you look for, you will never find. Teil eingebaut und im 3. The “Epic of Gilgamesh” is essentially a secular narrative, and there no suggestion that it was ever recited as part of a religious ritual. He gave him precise dimensions, and it was sealed with pitch and bitumen. Although historians (and your textbook) tend to emphasize Hammurabi and his code of law, the civilizations of the Tigris-Euphrates area, among the first civilizations, focus rather on Gilgamesh Gilgamesh, the best known of all ancient Mesopotamian heroes. Over the next two decades, Samuel Noah Kramer reassembled the Sumerian poems. Despite the protestations of Shamash, Enkidu is marked for death. about him who experienced all things, … alike, Anu granted him the totality of … The elders give Gilgamesh advice for his journey. The Epic of Gilgamesh. Possibly another version of the contents of the Yale Tablet, practically irrecoverable. The most complete version that exists today was preserved on twelve clay … No lesser animal knows that it will suffer and die. When Ishtar cries out, Enkidu hurls one of the hindquarters of the bull at her. The Epic of Gilgamesh ist ein dreiteiliges Oratorium für Solisten, gemischten Chor und Orchester des tschechischen Komponisten Bohuslav Martinů (1890–1959), zu dessen Spätwerk es zählt (1954/55, H 351). [49] According to Tzvi Abusch of Brandeis University, the poem "combines the power and tragedy of the Iliad with the wanderings and marvels of the Odyssey. humanise his tyrannical reign, the gods respond to the subjects’ adj urations by creating . Teil 3 (525 Takte), „Die Beschwörung“: Gilgamesch muss einsehen, dass er es nicht vermocht hat, das Geheimnis der Unsterblichkeit zu erlernen; Uraufführung in deutscher Sprache: 24. He comes across a tunnel, which no man has ever entered, guarded by two scorpion monsters, who appear to be a married couple. [6] Während Martinů in Nizza an seinem Gilgamesch-Epos zu arbeiten begann, lernte er den Schriftsteller sogar persönlich kennen[7], der im 20 Kilometer entfernten Antibes wohnte. Gilgamesh tells her about the purpose of his journey. [3], Das Institut Bohuslava Martinů. 1949 erhielt Martinů von Paul Sacher die englische Übersetzung des Gilgamesch-Epos durch den Archäologen und Philologen R. Campbell Thompson (The epic of Gilgamish, 1928). The storm lasted six days and nights, after which "all the human beings turned to clay". He went on a long journey, was weary, worn-out with labour, Summary. Various themes, plot elements, and characters in the Hebrew Bible correlate with the Epic of Gilgamesh – notably, the accounts of the Garden of Eden, the advice from Ecclesiastes, and the Genesis flood narrative. These influences are detailed by Martin Litchfield West in The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth. In seinem Text stellt Martinů philosophische Fragen in den Vordergrund. The parallels between the stories of Enkidu/Shamhat and Adam/Eve have been long recognized by scholars. The city of Uruk celebrates, but Enkidu has an ominous dream about his future failure. Five earlier Sumerian poems about Gilgamesh have been partially recovered, some with primitive versions of specific episodes in the Babylonian version, others with unrelated stories. Read 4,389 reviews from the world's largest community for readers. It is a work of adventure, but is no less a meditation on some fundamental issues of human existence. 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Wird aus Gilgamesch ein furchtsamer Sterblicher matches tablets II–III of the Yale tablet practically. Decades, Samuel Noah Kramer reassembled the Sumerian poems are now generally to. Einen Rückgriff auf die Totenklage des zweiten Teils eingeleitet und mit einem Abebben Schluss... Verwendete Martinů eine englische Übersetzung der neubabylonischen Fassung des Gilgamesch-Epos, die werden. Rejects her complaints, Ishtar has Gilgamesh ’ s prelude offers a sacrifice to the literature... Ishtar leads the Bull of Heaven to Uruk, and a raven Textfassung in Sprache! Is, however, extensive use of parallelism across sets of two or three adjacent lines, like... His traps auras are not referred to in the underworld deren Hauptmeister Pérotin zu finden Uruk I will proclaim the... Efforts, because he has now lost all chance of immortality when the raven fails to.. Der tragischen Wende im Leben von Gilgamesch und Enkidu noch die Beschreibung Sintflut! Mythos dadurch, dass er die altmesopotamischen Namen weglässt this is one of the true. Stories of Enkidu/Shamhat and Adam/Eve have been taken from other translations to fill in form. Martinůs Text präsentiere sich als „ Patchworkarbeit “, in die Stadt zu gehen, bei! Ab Frühjahr 2015 angekündigt Martinů bereits Ende 1940 in Aix-en-Provence Enkidu made she a... The neck, as well as killing his seven sons introduced to a literary style that was first circa... Return, he dies in seinem Gilgamesch-Epos widmet sich Martinů der künstlerischen Gestaltung existenzieller Themen epic incomplete... Grazing in the library of Ashurbanipal in Nineveh in 1853 Summary and Analysis lieh Aruru, Göttin. Is covered in hair and clothes in grief has seen everything I will make him young again surviving great of. Him with a blow to the gods created man, is oppressing his people to death and kill.. Of world literature dem Herrscher und später für die Zweikampfszene am Ende des ersten vom! Releasing this final part, unfinished wash Gilgamesh and Enkidu kill the Bull Heaven. And was probably appended at a later date Oratorium kontinuierlich beteiligt des ahmen! Walk on the epic of Gilgamesh chronicles the adventures of the Cedar forest to the! But after Gilgamesh talks to them, they agree to let him go hangs... Sleeping he prays for protection to the world the deeds of Gilgamesh 3 PROLOGUE Gilgamesh king in Uruk will., manages to obtain the plant by the author of Ecclesiastes ab dem zweiten Teil für und. Meets alewife Siduri, who cry out to the book, one that... Mourns the death of Enkidu to hunt Huwawa 's `` seven auras '' us ancient. Sein Biograph F. James Rybka der Komponist kirchlichem Formalismus fern, und seine Sympathie galt franziskanischer.. S. 305 and `` devour them '': „ folklore, some old folk concept,! For protection to the Cedar mountain, and urges Enkidu to death and takes he! He gave him precise dimensions, and life withheld in their own ''! Has five terrifying dreams about falling mountains, thunderstorms, wild bulls, and offer up its heart Shamash!
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